Op.95 for flute, clarinet and piano (and eight other instrumentations) is one of eight related works written by Miguel del Aguila in 2007 each with different instrumentation. These works share thematic material with each other and also borrow themes from the composer’s previously written Clarinet Concerto No.2 and Pacific Serenade. The works begins with a lyrical and sensuous, song-like introduction evoking the style of the Brazilian Chôro and it quickly gives way to a frantic, restless dance. From then on, the music is propelled forward by a series of ostinatos and rhythmically irregular themes. Rhythm is here the captivating (seductive), element which often relegates the melodic material to a secondary role. This Latin dance, written mainly on 13/16 meter, begins with a percussive, almost primal theme that becomes increasingly breathless and ever-more-intense leading the work towards a final passionate climax. A tour de force for the performers, Seducción demands not only stamina but outmost rhythmic accuracy through constantly shifting syncopations in irregular meters.Seducción was premiered in 2008 by Bach Dancing & Dynamite Society Festival Ensemble in Madison, Wisconsin
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